Michael Holbrook Penniman also known as MIKA was born in Beirut, Lebanon on August 18th, 1983. 
MY DISCOGRAPHY
I was born in lebanon and rasied in Paris and London, hopping from country to country like a footloose hippy with my four brothers and sisters.
Coming from different background to most I found no place at school and delved into music from an early age. I started writing songs as a kid, not because of grand ambitions but because it was an easy way to tell a story, a joke and often the truth. Tell the truth in a song and people are less pissed off than if you were to say it to their face.
I sent out my stories to anyone and everyone, not surprisingly I often got no reply. The further I got into music the more attention I was getting for my own song writing, I made a choice last year and decided to go for it.
'Life In Cartoon Motion' is my first record. It has a coming of age theme, and deals with my transition from childhood to now. What's my sound? I guess it's in the writing. I apologise in advance to the people whos stories and characters I have borrowed from. Remember, It's only a caricature.
Band Members: Thomas BANGALTER & Guy Manuel de HOMEM-CHRISTOSounds like: ALIVE !
The French twosome behind Daft Punk, Thomas Bangalter and Guy-Manuel De Homem-Christo, get away with an awful lot. They go around impersonating aliens and robots in their interviews, they put records out only once every three years, and they make music that evokes a million other artists--while not really sounding like any of them. The keyboard noodlings of Jean-Michel Jarre are in there somewhere, along with the otherworldly imagery and giant hooks of '70s rock icons like Boston or even Electric Light Orchestra. There are dashes of 1999-era Prince and oodles of new wave and disco cheese, from Harold Faltermeyer and Gary Numan to the Bee Gees, all set off with efficient house beats. So how have they managed to position themselves as electronic music's next great crossover artists? On Discovery, the follow-up to the 1998 worldwide smash Homework, the answer is obvious: they have no shame, and they know how to make us dance.
MY TECHNOLOGIC
Starting off with the irresistibly hummable "One More Time," the record blows through a head-spinning array of styles and samples, creating a pop-culture stew of funky loops and dance-floor anthems. "Aerodynamic" eschews breakbeats for an Yngwie Malmsteen-ish guitar interlude that somehow ends up meshing in a crazy blend of stomping bass lines and hyped-up harmonics. "Digital Love" starts off silly and gets sillier, but the monosyllabic lyrics lull the senses just right, allowing the song's summery groove to grab hold with authority. "Harder, Better, Faster, Stronger" is a resounding standout amidst the retro/Vocoder deluge that transpired after Cher's Believe turned the kitchy disco device into a worldwide pop music trend, spinning a clever groove around an ever-escalating string of computerized seduction. Everywhere on the record, gigantic beats are dropped with pinpoint precision, giving songs a momentum that transforms repetitive melodies into sudden revelations. The record's only misstep, the aptly named "Short Circuit" utilizes a keyboard riff that is nails-on-a-chalkboard awful, but it can't keep this from being one of the best records of 2001. --Matthew Cooke
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